When does the performance begin?

The start is on 13.09.2026 at 15:00, with admission starting at 14:30.

How much do the tickets cost?

The ticket price starts at 15 euros. In addition, there are discounts and a five-euro ticket for certain target groups as well as a solidarity ticket for 25 euros.

How long does the concert last?

The event is scheduled from 15:00 to 16:30.

Where does the event take place?

In the Old Fencing Hall, Geiststraße 6, 37073 Göttingen.

Are there any notes on discounts or solidarity tickets?

Yes, according to the organizer, there is a five-euro ticket for students, pupils, apprentices, and people in voluntary service, as well as a solidarity ticket for 25 euros.

How do I best travel there?

The Old Fencing Hall is centrally located in Göttingen's city center. It is about a 5-minute walk from the train station, and there are parking options available, including at the Groner Tor parking garage.

A poetic evening full of sound, silence, and presence in Göttingen

Name: »Every Day Somewhere.«
Start: 2026-09-13T17:00:00+02:00
End: 2026-09-13T18:30:00+02:00
Location: Alte Fechthalle

An evening that sets language, sound and presence in motion

With »Every Day Somewhere.«, the ensemble L'ART POUR L'ART opens a space in the Old Fencing Hall for the quiet, sharp, and surprising tones of New Music. The program links compositional miniatures, sound investigation, and poetic condensation into a stage experience that does not rely on effect, but on perception, precision, and resonance.

New Music as a theatrical narrative

The conceptual core of the evening is strong: Every day, someone somewhere tries to communicate. This creates a musical dramaturgy that makes speaking, silence, and listening the subject itself. Works by Mauricio Kagel, Macarena Rosmanich, Marijana Janevska, Kilian Schwoon, Judit Varga, and Matthias Kaul unfold a delicate web of timbres, gestures, and breaks.

The ensemble consisting of flute, clarinet, cello, piano, and sound direction promises an atmosphere where even the smallest nuances carry weight. Especially in the Old Fencing Hall with its historic character and light-filled architecture, this music gains the closeness that makes New Music alive: direct, physical, present.

Dramaturgy between silence and intensification

The compositions of the evening revolve around perception, language, and memory. Kagel's Con Voce, Rosmanich's Kafka’s Ghost, or Varga and Kaul's pieces represent an aesthetics that opens the auditory space while also playing with expectations. Thus, no mere sequence of works emerges, but a finely woven staging of listening.

Those who know the ensemble are aware of the precision of its interpretative art. The connection of instrumental virtuosity and sound direction sensitivity creates a stage experience that is as concentrated as it is sensual. Especially within the festival framework of Musik 21, the evening condenses into an artistic snapshot about storytelling itself.

The Old Fencing Hall as a sound space

The Old Fencing Hall in Göttingen provides the appropriate setting for this production: centrally located, atmospheric, historically charged, and with a special closeness between stage and audience. Hence, the audience's reaction is likely to be not loud, but intense - as attentiveness, as silence, as lingering reflection after the last note.

The festival context also enhances the appeal. »Every Day Somewhere.« stands in the tension between power and helplessness, cry and silence, presence and memory. This makes this date a recommendation for all who wish to experience concert music, sound art, and performative precision in their most demanding form.

Conclusion: »Every Day Somewhere.« promises a concentrated, witty, and sonically rich stage experience in Göttingen. Those who not only want to hear New Music but experience it with all their senses should not miss this date live in the Old Fencing Hall.