Prima Facie at Young Theater Göttingen: When justice becomes a personal indictment


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When the legal system itself sits in the dock
On Thursday, October 15, 2026, the Young Theater Göttingen transforms into a courtroom of a special kind: Prima Facie tells the story of Tessa, a brilliant defense attorney who defends defendants of sexual assaults with legal precision. Her trust in the law, evidence, and the presumption of innocence seems unshakeable – until she herself becomes a victim.
A monologue between power and vulnerability
Suzie Miller's award-winning solo piece takes us deep into the dramaturgy of a justice system that decides between truth, credibility, and the burden of proof. Tessa knows the rules of the legal game, masters the language of cross-examination, and understands how to steer a trial. After her own traumatic experience, this certainty tips: the defender becomes an accuser, and the confident jurist becomes a woman struggling for her voice.
Acting as an emotional cross-examination
The production at Young Theater Göttingen relies on the concentrated power of the solo performance. A single body, one voice, and the tension of the immediate stage experience carry the narrative. In the theater atmosphere, legal argumentation, personal memory, and societal indictment coalesce into an intense evening about sexualized violence and the limits of the law.
An internationally celebrated play
Prima Facie premiered in Sydney in 2019 and has become an internationally successful play. The Australian author Suzie Miller worked as a defense attorney in human rights. The piece won the Olivier Award and has been widely recognized for its combination of gripping dramaturgy, political relevance, and demanding acting.
Between courtroom and personal trauma
The production poses uncomfortable questions: Whom does a legal system believe? How is a statement evaluated? And what happens when legal logic fails where a person seeks protection and justice? Mood lighting, stage space, and acoustics focus on the character's inner movement. The audience's reaction arises from proximity: every sentence becomes an exhibit, each pause a resonance.
Content notice
The performance addresses sexualized violence, rape, and trauma. The play focuses on the perspectives of those affected and the structural conditions of a patriarchally shaped justice system.
Conclusion: A theater evening that lingers
Prima Facie promises no comfortable stage experience, but a concentrated encounter with questions of justice, power, and human credibility. Anyone wishing to experience contemporary acting, socially relevant theater, and an impassioned solo performance will find an evening at Young Theater Göttingen that resonates far beyond the final applause.
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